Little Gods

Anna Richards

Little Gods

Desmond Elliott Prize longlisted

Four hundred and thirty-one pages of glory
A gorgeous, sprawling novel and a rich, colourful tale

To highlight the brightest new talent in British literary fiction, The BBC’s The Culture Show formed a panel chaired by professor of English John Mullan to examine the debut novels of writers published in the last two years and to identify the most important new voices in British literary fiction right now. 

Jules
Jules commented
Friday 11th Mar 2011 01:40
I loved this book. It took me a few pages to acclimatise to the style but I was soon wrapped up in it. There is something magical or surreal about the storytelling and the language, but the writing also has an earthy quality, a sort of pragmatism that grounds it in the real world. The book was full of expressions and images that I've never heard before - fantastically imaginative stuff. A writer with this much pyrotechnic enthusiasm could easily distract from the story, but that never happened. The strength of feeling I had for Jean, and even some of the less likeable characters, pulled me through the unusual language of the book so that I hardly noticed after a while. It worked its magic subconsciously somehow, and it made me think hard about my own attitudes to other people. Not a lot of books have done that. This is a story I will read again, probably quite soon. I keep remembering passages that were just beautiful.
Amy Lines
 

Jean would teach him something about the responsibility of size.

Mike Grady
 

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Anna Richards
 

I have to admit to a slight obsession with the Writer's Rooms feature in the SaturdayGuardian. The aspiring writer grabs at any information about the craft to use as a blueprint and from this series of photographs I have deduced a North London attic with a churchyard view is as vital as ink. (More so, if you write exclusively on a laptop.)